People Get Ready inspiration from the Dexter Story 

Pieces of inspiration from Dexter Story, the Musical Director of People Get Ready: A Soundtrack of the Civil Rights Movement.

Music directing and co-producing People Get Ready: A Live Soundtrack of the Civil Rights Movement at Grand Performances is without question the most humbling experience of my life. Until now, I avoided dealing with 'freedom songs' because I didn't really want to relive the pain of inequality and oppression in America. I didn't even have the wherewithal until now to acknowledge the historic Civil Rights Act of 1964. I had taken for granted and outright ignored how brave, resilient and triumphant my parents were, and how singing was their and others' saving grace through uncanny adversity. People Get Ready has been much more than simply arranging a song or learning a lyric. Being of African American descent, this show has required me to confront my extraordinary heritage and discover the same light and inspiration in music that carried us through the struggle for equality in this country and in the world. It is my intention to have People Get Ready honor the courageous and vital spirit of all who fight for human rights worldwide.



Ejyptian Queen 

Meet the group Ejyptian Queen, made up of sisters Zekuumba, Zeimani and Zekkujchagula. They'll be part of Saturday, August 2's Pepole Get Ready: A Soundtrack of the Civil Rights Movement. They might be young, but they have strong ties to some important figures in music history. 

Their parents are Grammy winning songwriters, producers, and recording artists Cecil and Linda Womack of Womack & Womack. Their uncle is no other than the Rock and Roll Hall of Fame inductee Bobby Womack AND their grandfather is legend, Sam Cooke. Talk about a good set of genes! 

People Get Ready: A Soundtrack of the Civil Rights Movement is a vital musical celebration of the Civil Rights Movement and 50th anniversary of the Civil Rights Act of 1964 with exciting renditions of the freedom songs that heralded historic change in the USA.

Featuring material written or originally performed by Sam Cooke, Curtis Mayfield, Billie Holiday, Sly Stone, Aretha Franklin, Bob Dylan, John Coltrane, Nina Simone, The Staple Singers, Harry Belafonte, Pete Seeger, Ray Charles and more.




Tomas Benitez on Quetzal

This year we're asking our musically and culturally inclined friends to write our evening programs. Here's Tomas Benitez on Quetzal. 

The Chicano Movement enjoyed a revival in the late 1980’s and early 1990’s due in large part to the resistance to the immigrant bashing Prop. 187 in California and the Zapatista Revolution in Chiapas, Mexico. For a 1970’s Chicano dinosaur like myself, it was an inspiration to see a new generation of young Latino students and activists take to the streets and mobilize to advocate for their community and people.

At the vortex of all the ‘reborn’ self-empowerment and assertion of ethnic identity was a wave of cultural artists and performers. Painters, dancers, poets and writers, comedy troupes and teatristas all convened to reflect the spirit of the times. But it was the bevy of new musical groups who seemed to best define the new wave of creativity, and none more so than Quetzal.

Fresh from their sojourn to Chiapas, they returned to East L.A. with a sound that was forged from folkloric traditional styles and their own genius. The second floor hall at Self Help Graphics & Art was a beat up, very under-lit, acoustic nightmare of a venue, but they took that stage and brought the light with them, filling the room with their infectious music and songs of love and liberation. It was a magical time and place to witness and remember, as they invented a musical thread that wove together several generations of people across nations, cultures and borders.

Like the ancient Mexican god Quezalcoatl, they went away for a period, promising to return one day. And indeed they did, coming back with a fury. As they matured their music got even better, like a fine wine, with their success culminating in earning a Grammy in 2013. Yet even today the still have the vitality, soul and spirit of their roots and culture in each song in their repertoire, having now become the masters, as well as mentors to the numerous other bands who build upon what they started. And in the true artistic spirit to never stop creating the new, their path has led them on a long, wonderful journey, still with the promise that the best is yet to come.

Tomas Benitez is the former Executive Director of Self Help Graphics and nowadays writes and lives in East Los Angeles.


Lunch Box Series 2014

Take a mid-day break from what you're doing and come hang with us for a noon time concert. Bring something to nosh on or pick something up from our plaza vendors or down the hill neighbors at Grand Central Market. The weater is perfect, so what are you waiting for?!

Friday, July 18 @ noon // Chop and Quench

Friday, July 25 @ noon // Vardan ovsepian Chamber Ensemble

Wednesday, July 30 @ noon // We  Will Rock You (from our friends at the Center Theatre Group)

Friday, August 1 @ noon // Les Triplettes de Belleville (open rehearsal)

Friday, August 8 @ noon // DJ Nu-Mark

Friday, August 15 @ noon // Joe Driscoll & Sekou Kouyate

Noon show parking

We highly recommend finding alternate parking for our Friday noon shows, as daytime parking at California Plaza will run you $38 or more! Here are some other options:

1. Go Metro. Exit at Pershing Square and leave by the North stairs leading to 4th and Hill streets. Destination Discount: Show your Tap card at Johnny's Pizza for a free soda with your purchase.

2. Eat at George's Greek. They validate California Plaza parking for $3 for the first 2 hours.

3. Park at Grand Central Market. If you pick up lunch from a vendor in the market, they'll validate for 1 hour parking. After 1 hour it's $2 every 15 minutes, $10 max.

4. Park at Joe's Auto Parks for $15


Marco Werman on Chop and Quench 

This year we're asking our musically and culturally inclined friends to write our evening programs. Here's Marco Werman on Chop and Quench, Fela and the 69 Los Angeles sessions.

It seems that the Fela cultural moment in the US has been humming ever since Sahr Ngaujah portrayed the Afrobeat innovator in the Broadway music Fela!  But to really dig down to the root of what Fela Kuti is all about, you’ve got to go back to the late 1960s, and Fela’s time in Los Angeles.  For him, it was a discovery of musical synthesis – his own Nigerian juju music, John Coltrane and James Brown to name just three key influences – as well as politically empowering voices like the Black Panthers.  At the crux of that residency in the US came the ’69 Los Angeles sessions, a series of dates at a struggling nightclub called the Citadel de Haiti on Sunset Boulevard.  Grand Performances takes you back to those early heady days when Anikulapo Kuti was still the colonial-branded “Ransome Kuti,” but things were already changing radically.  Chop ‘N Quench takes the part of Fela’s band Koola Lobitos; and in an extraordinary bit of curation, Sahr Ngaujah reprises his alter-ego of Fela.

Marco Werman is the host of PRI's THE World

See Chop and Quench play a history-making live performance of the "69 Los Angeles Sessions" for free on Friday, July 18 @ 8pm. Click here for more info.